我們凝視塵與金——在時間流轉中交織的兩種存在狀態；塵，是無常，是日常，是物質風化後的殘餘與延續；金，是光之閃現，是信念的沉澱，是靈性不可銷蝕的回聲。由當代抽象表現主義藝術家藤村真（Makoto Fujimura）和陶藝雕塑家道川省三（Shozo Michikawa）兩人共同展開，從各自對物質的敏感觸覺與精神深度追尋出發，編織出一場關於時間與物質的詩性對話。

 

           本展為兩位藝術家首度在台灣的大型展出，展件橫跨 1992-2025，涵蓋繪畫、聲音裝置與陶藝雕塑，藉由展覽的三個篇章【在無聲中閃耀】、【逆境中綻放】、【行走在水面上】，引導人們從天然礦物、光線、與自然能量傾注的動態雕塑中，覺察靜謐之美，開啟面對無常之際轉向柔和而堅定的全新觀點。

 

           展期分為上下部——《金之篇章》2025.09.28 (日) – 2026.04.06 (一) 及《力之篇章》2026.04.15 (三) – 2026.08.30 (日) ；《金之篇章》邀請觀者從「光如何誕生」看見修復的可能，《力之篇章》則從「力如何成形」引領觀者探索作品背後的手勢與時間的姿態；藤村真以礦物及金箔的緩時層疊，回應修復與希望；道川省三以陶土扭切與火痕，呈現大地勁道與無常之美。透過兩者的創作媒材、創作特徵與藝術哲學，帶來引人思索的對話意趣。

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         Gazing at Dust and Gold — Two States of Being Interwoven Through the Passage of Time.

         Dust is impermanence, the everyday, the residue and continuation of matter weathered by time.Gold is the glimmer of light, the distillation of faith, the incorruptible echo of spirit.

         This exhibition unfolds as a poetic dialogue between two artists: Makoto Fujimura, a leading contemporary abstract expressionist painter, and Shozo Michikawa, a renowned ceramic sculptor. From their respective sensitivity to materiality and their profound spiritual pursuits, the two weave together reflections on time and substance.

Presented for the first time in Taiwan on such a large scale, the exhibition spans works from 1992 to 2025, encompassing painting, sound installation, and ceramic sculpture. Structured in three chapters—Shining in Silence, Blooming in Adversity, and Walking on Water—the exhibition invites viewers to perceive quiet beauty through natural minerals, light, and dynamic sculptures infused with elemental energy, opening new perspectives of gentleness and resilience when facing impermanence.

The exhibition unfolds in two parts: “Chapter of Gold” (September 28, 2025 – April 6, 2026) and “Chapter of Force” (April 15 – August 30, 2026). Chapter of Gold leads audiences to see the possibility of restoration through the question “How does light come into being?” while Chapter of Force explores “How does force take form?”—tracing gestures and the posture of time behind the works.

         Fujimura layers minerals and gold leaf in meditative temporal rhythms, responding to themes of healing and hope. Michikawa channels the raw vigor of the earth through twisted cuts of clay and traces of fire, embodying both vitality and impermanence. Together, their materials, creative processes, and artistic philosophies converge in a profound dialogue that illuminates new ways of contemplating the relationship between time, matter, and spirit.

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